第二案“遥控爆炸案”告破后,镜头给到梁麦琪的一篇犯罪心理学论文,从专业角度解释了本案中似乎有些荒诞的作案动机。制作方确实有认真在做这篇“道具”论文,并且其中引用的内容都是真实存在的文献/书籍,可见编剧并没有胡诌一些天马行空的情节去冲击观众的眼球,而是基于专业的背景知识给观众呈现故事。
Fantasy is the driving element in the serial killer's life... As a result of their reliance on fantasy, and as a result of childhood abuse, the future killer has developed a series of negative personality traits which results in only increased isolation. These traits include a preference for autoerotic activity, aggressiion, chronic lying, rebelliousness, and a preference for fetish behavior.
引用文献中最短的(貌似也是最适合我这种外行阅读的)一篇:
本案的核心——原生家庭的影响和童年的创伤发展为成年后对某件事情的狂热,继而引发愤怒、攻击和侵略行为:
Psychoanalytical thought has focused on developmental problems in early or later stages of individuation and separation from the family of origin. The aberrant sexual activity of the adult is then seen as a triumph, converting an original childhood trauma into sucess and mastery. Sexual sadistic fantasies may control the primitive fears of childhood and can become an outlet for hostility and aggression...
P.S. sexual activity/sexual sadism估计是拍出来也过不了审,所以才换成了对与战争的狂热吧,不过来自“海陆空”的仪式感倒是增加了戏剧性。
其他引用到的文献包括:
有些乍一眼看似荒诞的情节可能是源于我们的知识盲区,能有机会接触到一些从前不了解的领域也是这部剧给我带来的意外之喜了。

痕迹(2020)

主演:徐正溪 姚笛 王新 高煜霏 张钧然 徐方舟 钱一莹 李一宁 林一霆 李珵宇 王劲松 唐旭 李耕 

导演:刘璋牧

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